The Other Shore - Aruna vs Steve Kaetzel Remix
30s preview
- BPM
- 132
- Open Key
- 10d
- Energy
- 77/100
- Pop
- 3/100
- Length
- 3:46
- Released
- 2015
- Album
- The Other Shore (Remixes)
- Genre
- Trance
- Loudness
- -7.3 dB
- Dynamics
- 12.0 dB
- ISRC
- NLF711502796
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Other Shoreoriginal5B · 138
- The Other Shore - Fady x Mina Remixremix5B · 140
- The Other Shore - Solarstone Pure Mixoriginal5A · 136
- The Other Shore - Husman Remixremix5A · 128
Against the original (5B at 138 BPM), this version runs 6 BPM slower in the same key.
A peak-time tempo trance cut, The Other Shore - Aruna vs Steve Kaetzel Remix sits in E♭ major (5B) at 132 BPM. The feel is punchy, neutral in mood. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2015 production that still circulates in sets. Calmer than 89% of Aly & Fila's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 88% of Aly & Fila's catalogue
- Tempo:
- slower than 85% of Aly & Fila's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is The Other Shore - Aruna vs Steve Kaetzel Remix in?
The Other Shore - Aruna vs Steve Kaetzel Remix by Aly & Fila is in E♭ major, or 5B on the Camelot wheel.
What BPM is The Other Shore - Aruna vs Steve Kaetzel Remix?
The Other Shore - Aruna vs Steve Kaetzel Remix runs at 132 BPM, a peak-time tempo track.
What mixes well with The Other Shore - Aruna vs Steve Kaetzel Remix?
From 5B it blends harmonically with 6B, 5A, 4B. Moving to 6B lifts the energy a step.
Is The Other Shore - Aruna vs Steve Kaetzel Remix good for peak time?
With energy 77 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
5B → 4B · 6B · 5AFrom 5B, 6B (B♭ major) lifts the energy a step; 5A (C minor) settles into the relative minor; 4B (A♭ major) cools the energy down a step.
![Jump The Next Train [Mix Cut] - Kyau vs Albert 2014 Remake by Kyau & Albert cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/412b33566c0006aa6846.webp){kind=small}
How to mix it
In 5B at 132 BPM: 6B (B♭ major) — move to 6B to push the floor harder; 5A (C minor) — switch to 5A for a mood change without losing the groove; 4B (A♭ major) — drop to 4B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12B rather than 5B; below -5% it reads as 10B. With key lock on, it stays 5B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 77/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
![Encore [The Anthem] - Original Mix by Giuseppe Ottaviani cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/8aa318d3491e6115a9cd.webp){kind=small}
More trance
![So Much In Love (ASOT 1132) [Tune Of The Week] - Armin van Buuren Remix by Armin van Buuren cover art](https://i.scdn.co/image/ab67616d00001e0242c7cd4da3e6e67d0894be57){kind=small}
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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