Astral
30s preview
- Key
- 7A · D minor
- BPM
- 132
- Open Key
- 12m
- Energy
- 77/100
- Pop
- 3/100
- Length
- 4:40
- Released
- 2024
- Genre
- Progressive Trance
- Loudness
- -4.7 dB
- Dynamics
- 9.3 dB
- ISRC
- GBEWA2405991
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Astral - Extended Mixversion10B · 132
At 132 BPM in D minor (7A), Astral is a peak-time tempo progressive trance production. Tonally it lands dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Faster than 90% of Maor Levi's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- darker than 81% of Maor Levi's catalogue
- Energy:
- calmer than 79% of Maor Levi's catalogue
- Low end:
- more bass-heavy than 75% of Maor Levi's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Astral in?
Astral by Maor Levi is in D minor, or 7A on the Camelot wheel.
What BPM is Astral?
Astral runs at 132 BPM, a peak-time tempo track.
What mixes well with Astral?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Astral good for peak time?
With energy 77 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
![Event Horizon [CC483] by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e026b5520771e6cba9693614dde){kind=small}
![Event Horizon [CC484] by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e0290404276e872a3623c9cda37){kind=small}
How to mix it
In 7A at 132 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 77/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
![Encore [The Anthem] - Original Mix by Giuseppe Ottaviani cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/8aa318d3491e6115a9cd.webp){kind=small}
![So Much In Love (ASOT 1132) [Tune Of The Week] - Armin van Buuren Remix by Armin van Buuren cover art](https://i.scdn.co/image/ab67616d00001e0242c7cd4da3e6e67d0894be57){kind=small}
More progressive trance
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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