We Are One 2013 - Intro Mix
30s preview
- Key
- 8A · A minor
- BPM
- 132
- Open Key
- 1m
- Energy
- 78/100
- Pop
- 1/100
- Length
- 6:31
- Released
- 2013
- Album
- We Are One 2013
- Genre
- Trance
- Loudness
- -8.7 dB
- Dynamics
- 13.6 dB
- ISRC
- DEQ691300028
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- We Are One 2013 - Radio Mixversion8A · 132
- We Are One 2013 - Extended Mixversion10B · 132
- We Are One 2013 - Intro Mixoriginal8A · 133
- We Are One 2013 - Intro Radio Mixversion8A · 132
- We Are One 2013 - Tougher Mixoriginal8A · 138
A peak-time tempo trance cut, We Are One 2013 - Intro Mix sits in A minor (8A) at 132 BPM. The feel is dark and driving. The master keeps unusual dynamic range for club music (crest 14 dB). A 2013 production that still circulates in sets. Darker than 95% of Paul van Dyk's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 82% of Paul van Dyk's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is We Are One 2013 - Intro Mix in?
We Are One 2013 - Intro Mix by Paul van Dyk is in A minor, or 8A on the Camelot wheel.
What BPM is We Are One 2013 - Intro Mix?
We Are One 2013 - Intro Mix runs at 132 BPM, a peak-time tempo track.
What mixes well with We Are One 2013 - Intro Mix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is We Are One 2013 - Intro Mix good for peak time?
With energy 78 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 132 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 78/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More trance
![Encore [The Anthem] - Original Mix by Giuseppe Ottaviani cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/8aa318d3491e6115a9cd.webp){kind=small}
![You Got To Go [feat. Zoë Johnston] by Above & Beyond cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/446ad3dd9cc448a5f242.webp){kind=small}
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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