We Are One 2013 - Intro Mix
- Key
- 8A · A minor
- BPM
- 133
- Open Key
- 1m
- Energy
- 82/100
- Pop
- 0/100
- Length
- 4:35
- Released
- 2013
- Album
- VONYC Sessions 2013
- Genre
- Trance
- Loudness
- -7.6 dB
- ISRC
- NLF711313146
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- We Are One 2013 - Radio Mixversion8A · 132
- We Are One 2013 - Extended Mixversion10B · 132
- We Are One 2013 - Intro Mixoriginal8A · 132
- We Are One 2013 - Intro Radio Mixversion8A · 132
- We Are One 2013 - Tougher Mixoriginal8A · 138
We Are One 2013 - Intro Mix is a peak-time tempo trance track in A minor (8A) at 133 BPM. The mix is almost entirely instrumental. A 2013 production that still circulates in sets. More underground than 99% of Paul van Dyk's catalogue.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is We Are One 2013 - Intro Mix in?
We Are One 2013 - Intro Mix by Paul van Dyk is in A minor, or 8A on the Camelot wheel.
What BPM is We Are One 2013 - Intro Mix?
We Are One 2013 - Intro Mix runs at 133 BPM, a peak-time tempo track.
What mixes well with We Are One 2013 - Intro Mix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is We Are One 2013 - Intro Mix good for peak time?
With energy 82 out of 100 at 133 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
![Daydream [Mix Cut] - Markus Schulz Coldharbour Remix by Markus Schulz cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/796183bfc40142a0fcc4.webp){kind=small}
How to mix it
In 8A at 133 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 82/100).
Similar tempo
Within ±3 BPM of 133 — beatmatch without a big tempo pull.
More trance
More from Paul van Dyk
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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