Smokescreen (Sneijder remix)
30s preview
- Key
- 9A · E minor
- BPM
- 132
- Open Key
- 2m
- Energy
- 82/100
- Pop
- 0/100
- Length
- 3:31
- Released
- 2012
- Genre
- Trance
- Loudness
- -4.6 dB
- Dynamics
- 15.8 dB
- ISRC
- NLF711202211
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Smokescreen (Sneijder remix): peak-time tempo trance, E minor (9A), 132 BPM. The feel is dark and driving. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 16 dB). A 2012 production that still circulates in sets. More underground than 99% of John O'Callaghan's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- slower than 89% of John O'Callaghan's catalogue
- Energy:
- calmer than 86% of John O'Callaghan's catalogue
- Groove:
- groovier than 81% of John O'Callaghan's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Smokescreen (Sneijder remix) in?
Smokescreen (Sneijder remix) by John O'Callaghan is in E minor, or 9A on the Camelot wheel.
What BPM is Smokescreen (Sneijder remix)?
Smokescreen (Sneijder remix) runs at 132 BPM, a peak-time tempo track.
What mixes well with Smokescreen (Sneijder remix)?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Smokescreen (Sneijder remix) good for peak time?
With energy 82 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 132 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 82/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More trance
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Full profile
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![343 [Mix Cut] - Giuseppe Ottaviani Remix by Giuseppe Ottaviani cover art](https://i.scdn.co/image/ab67616d00001e02768402e504d7c031c244a234){kind=small}
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