Sun & Moon (feat. Richard Bedford) - Dennis Sheperd Remix
- BPM
- 132
- Open Key
- 4m
- Energy
- 84/100
- Pop
- 0/100
- Length
- 7:37
- Released
- 2011
- Album
- Sun & Moon (Part 1) (feat. Richard Bedford)
- Genre
- Progressive Trance
- Loudness
- -7.6 dB
- ISRC
- GBEWA1100055
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Sun & Moon - Blastoyz Remixremix11A · 138
- Sun & Moon - ilan Bluestone Remixremix11A · 130
- Sun & Moon - Live At The Hollywood Bowloriginal11A · 137
- Sun & Moon - Blastoyz Extended Mixversion11A · 138
- Sun & Moon - ilan Bluestone Extended Mixversion11A · 130
- Sun & Moon - Manila Killa Remixremix11A · 124
At 132 BPM in F♯ minor (11A), Sun & Moon (feat. Richard Bedford) - Dennis Sheperd Remix is a peak-time tempo progressive trance production. A 2011 production that still circulates in sets. More underground than 99% of Above & Beyond's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 91% of Above & Beyond's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Sun & Moon (feat. Richard Bedford) - Dennis Sheperd Remix in?
Sun & Moon (feat. Richard Bedford) - Dennis Sheperd Remix by Above & Beyond is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Sun & Moon (feat. Richard Bedford) - Dennis Sheperd Remix?
Sun & Moon (feat. Richard Bedford) - Dennis Sheperd Remix runs at 132 BPM, a peak-time tempo track.
What mixes well with Sun & Moon (feat. Richard Bedford) - Dennis Sheperd Remix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Sun & Moon (feat. Richard Bedford) - Dennis Sheperd Remix good for peak time?
With energy 84 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
![DNA Extractor [Mix Cut] - Markus Schulz Big Room Reconstruction by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02406413937357e55e7d007744){kind=small}
![DNA Extractor [Mix Cut] - Markus Schulz Big Room Reconstruction by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02e62d88105cf4cb3b183b4f90){kind=small}
How to mix it
In 11A at 132 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 84/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More progressive trance
More from Above & Beyond
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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