The Fractal Universe - Original Mix
30s preview
- Key
- 8B · C major
- BPM
- 132
- Open Key
- 1d
- Energy
- 85/100
- Pop
- 17/100
- Length
- 8:44
- Released
- 2009
- Album
- The Fractual Universe / This Is Reality
- Genre
- Progressive Trance
- Loudness
- -6.4 dB
- Dynamics
- 12.1 dB
- ISRC
- NLF710902881
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
The Fractal Universe - Original Mix: peak-time tempo progressive trance, C major (8B), 132 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2009 production that still circulates in sets. Better known than 82% of Mat Zo's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- groovier than 78% of Mat Zo's catalogue
- Low end:
- more bass-heavy than 76% of Mat Zo's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is The Fractal Universe - Original Mix in?
The Fractal Universe - Original Mix by Mat Zo is in C major, or 8B on the Camelot wheel.
What BPM is The Fractal Universe - Original Mix?
The Fractal Universe - Original Mix runs at 132 BPM, a peak-time tempo track.
What mixes well with The Fractal Universe - Original Mix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is The Fractal Universe - Original Mix good for peak time?
With energy 85 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
![The Lost Oracle (Transmission 2016 Theme) [Extended Mix] by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02371fc77cbd4815cfb4f088da){kind=small}
How to mix it
In 8B at 132 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 85/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
![DNA Extractor [Mix Cut] - Markus Schulz Big Room Reconstruction by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02e62d88105cf4cb3b183b4f90){kind=small}
![DNA Extractor [Mix Cut] - Markus Schulz Big Room Reconstruction by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02406413937357e55e7d007744){kind=small}
More progressive trance
More from Mat Zo
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.