Too Late
- Key
- 9B · G major
- BPM
- 143
- Half-time
- 72
- Open Key
- 2d
- Energy
- 71/100
- Pop
- 31/100
- Length
- 6:18
- Released
- 2016
- Genre
- Progressive Trance
- Loudness
- -7.5 dB
- ISRC
- USA2P1661792
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Too Late: driving up-tempo progressive trance, G major (9B), 143 BPM. The feel is dark and driving. It is vocal-led. A 2016 production that still circulates in sets. Better known than 96% of Mat Zo's catalogue.
- Energy:
- calmer than 84% of Mat Zo's catalogue
- Tempo:
- faster than 81% of Mat Zo's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Too Late in?
Too Late by Mat Zo is in G major, or 9B on the Camelot wheel.
What BPM is Too Late?
Too Late runs at 143 BPM, a driving up-tempo track.
What mixes well with Too Late?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Too Late good for peak time?
With energy 71 out of 100 at 143 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 143 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 134-152 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 143 — beatmatch without a big tempo pull.
More progressive trance
More from Mat Zo
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 143 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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