Lost in You - Extended Mix
30s preview
- BPM
- 143
- Half-time
- 72
- Open Key
- 4m
- Energy
- 70/100
- Pop
- 2/100
- Length
- 4:18
- Released
- 2025
- Album
- Lost in You
- Genre
- Trance
- Loudness
- -5.6 dB
- Dynamics
- 8.6 dB
- ISRC
- NLF712505721
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Lost in Youoriginal11A · 143
Against the original (11A at 143 BPM), this version holds the same tempo in the same key.
Lost in You - Extended Mix: driving up-tempo trance, F♯ minor (11A), 143 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. Faster than 98% of Giuseppe Ottaviani's catalogue.
- Groove:
- groovier than 96% of Giuseppe Ottaviani's catalogue
- Energy:
- calmer than 94% of Giuseppe Ottaviani's catalogue
- Low end:
- more bass-heavy than 85% of Giuseppe Ottaviani's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Lost in You - Extended Mix in?
Lost in You - Extended Mix by Giuseppe Ottaviani is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Lost in You - Extended Mix?
Lost in You - Extended Mix runs at 143 BPM, a driving up-tempo track.
What mixes well with Lost in You - Extended Mix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Lost in You - Extended Mix good for peak time?
With energy 70 out of 100 at 143 BPM, it works best as a floor-filler.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 143 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 134-152 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 143 — beatmatch without a big tempo pull.
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