
Gimme The Love (ASOT 1239)
30s preview
- Key
- 6A · G minor
- BPM
- 143
- Half-time
- 72
- Open Key
- 11m
- Energy
- 85/100
- Pop
- 9/100
- Length
- 4:53
- Released
- 2025
- Album
- ASOT 1239 - A State of Trance Episode 1239 (Including A State of Trance, Ibiza 2025)
- Genre
- Trance
- Loudness
- -12.7 dB
- Dynamics
- 12.3 dB
- ISRC
- NLF712505658
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Gimme The Love (ASOT 1226) [Tune Of The Week]original10A · 139
- Gimme The Love (ASOT 1229)original6A · 140
- Gimme The Loveoriginal6A · 142
- Gimme The Love - Extended Mixversion6A · 142
A driving up-tempo trance cut, Gimme The Love (ASOT 1239) sits in G minor (6A) at 143 BPM. The feel is dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). More bass-heavy than 95% of Armin van Buuren's catalogue. In a set it works best as a high-intensity peak cut.
- Tempo:
- faster than 90% of Armin van Buuren's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Gimme The Love (ASOT 1239) in?
Gimme The Love (ASOT 1239) by Armin van Buuren is in G minor, or 6A on the Camelot wheel.
What BPM is Gimme The Love (ASOT 1239)?
Gimme The Love (ASOT 1239) runs at 143 BPM, a driving up-tempo track.
What mixes well with Gimme The Love (ASOT 1239)?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Gimme The Love (ASOT 1239) good for peak time?
With energy 85 out of 100 at 143 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 143 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 134-152 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 143 — beatmatch without a big tempo pull.
More trance
More from Armin van Buuren
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 143 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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