Gimme The Love
30s preview
- Key
- 6A · G minor
- BPM
- 142
- Half-time
- 71
- Open Key
- 11m
- Energy
- 96/100
- Pop
- 13/100
- Length
- 3:03
- Released
- 2025
- Genre
- Trance
- Loudness
- -3.4 dB
- Dynamics
- 12.3 dB
- ISRC
- NLF712503027
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Gimme The Love (ASOT 1226) [Tune Of The Week]original10A · 139
- Gimme The Love (ASOT 1229)original6A · 140
- Gimme The Love (ASOT 1239)original6A · 143
- Gimme The Love - Extended Mixversion6A · 142
Gimme The Love runs 142 BPM in G minor (6A), a driving up-tempo trance record. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). Faster than 89% of Armin van Buuren's catalogue. In a set it works best as a high-intensity peak cut.
- Low end:
- more treble-tilted than 89% of Armin van Buuren's catalogue
- Energy:
- hotter than 81% of Armin van Buuren's catalogue
- Reach:
- better known than 78% of Armin van Buuren's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Gimme The Love in?
Gimme The Love by Armin van Buuren is in G minor, or 6A on the Camelot wheel.
What BPM is Gimme The Love?
Gimme The Love runs at 142 BPM, a driving up-tempo track.
What mixes well with Gimme The Love?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Gimme The Love good for peak time?
With energy 96 out of 100 at 142 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 142 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 133-151 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 142 — beatmatch without a big tempo pull.
More trance
More from Armin van Buuren
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 142 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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