The Sound Of E - Extended Mix
30s preview
- Key
- 1B · B major
- BPM
- 142
- Half-time
- 71
- Open Key
- 6d
- Energy
- 96/100
- Pop
- 0/100
- Length
- 4:44
- Released
- 2025
- Album
- The Sound Of E
- Genre
- Trance
- Loudness
- -4.9 dB
- Dynamics
- 11.1 dB
- ISRC
- NLF712507191
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Sound Of Eoriginal1A · 142
Against the original (1A at 142 BPM), this version holds the same tempo and moves the key from 1A to 1B.
The Sound Of E - Extended Mix: driving up-tempo trance, B major (1B), 142 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). Brighter than 99% of Giuseppe Ottaviani's catalogue.
- Reach:
- more underground than 99% of Giuseppe Ottaviani's catalogue
- Tempo:
- faster than 98% of Giuseppe Ottaviani's catalogue
- Energy:
- hotter than 78% of Giuseppe Ottaviani's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is The Sound Of E - Extended Mix in?
The Sound Of E - Extended Mix by Giuseppe Ottaviani is in B major, or 1B on the Camelot wheel.
What BPM is The Sound Of E - Extended Mix?
The Sound Of E - Extended Mix runs at 142 BPM, a driving up-tempo track.
What mixes well with The Sound Of E - Extended Mix?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is The Sound Of E - Extended Mix good for peak time?
With energy 96 out of 100 at 142 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 142 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 133-151 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 142 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 142 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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