Taotek (extended mix)
30s preview
- Key
- 9B · G major
- BPM
- 142
- Half-time
- 71
- Open Key
- 2d
- Energy
- 100/100
- Pop
- 30/100
- Length
- 2:46
- Released
- 2025
- Genre
- Trance
- Loudness
- -6.7 dB
- Dynamics
- 14.0 dB
- ISRC
- NLF712502223
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Taotek (extended mix) runs 142 BPM in G major (9B), a driving up-tempo trance record. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 14 dB). More treble-tilted than 98% of Bryan Kearney's catalogue. For programming, treat it as a high-intensity peak cut.
- Tempo:
- faster than 95% of Bryan Kearney's catalogue
- Energy:
- hotter than 94% of Bryan Kearney's catalogue
- Reach:
- better known than 94% of Bryan Kearney's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 25%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Taotek (extended mix) in?
Taotek (extended mix) by Bryan Kearney is in G major, or 9B on the Camelot wheel.
What BPM is Taotek (extended mix)?
Taotek (extended mix) runs at 142 BPM, a driving up-tempo track.
What mixes well with Taotek (extended mix)?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Taotek (extended mix) good for peak time?
With energy 100 out of 100 at 142 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 142 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 133-151 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 142 — beatmatch without a big tempo pull.
More trance
More from Bryan Kearney
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 142 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.