From The Inside
30s preview
- Key
- 7B · F major
- BPM
- 138
- Open Key
- 12d
- Energy
- 100/100
- Pop
- 20/100
- Length
- 6:41
- Released
- 2020
- Genre
- Trance
- Loudness
- -4.7 dB
- Dynamics
- 14.1 dB
- ISRC
- UKRMQ2000371
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A driving up-tempo trance cut, From The Inside sits in F major (7B) at 138 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 14 dB). Hotter than 97% of Bryan Kearney's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- darker than 92% of Bryan Kearney's catalogue
- Reach:
- better known than 85% of Bryan Kearney's catalogue
- Low end:
- more bass-heavy than 82% of Bryan Kearney's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is From The Inside in?
From The Inside by Bryan Kearney is in F major, or 7B on the Camelot wheel.
What BPM is From The Inside?
From The Inside runs at 138 BPM, a driving up-tempo track.
What mixes well with From The Inside?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is From The Inside good for peak time?
With energy 100 out of 100 at 138 BPM, it works best as a peak-time weapon.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 138 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 100/100).
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
More trance
More from Bryan Kearney
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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