Ready to Fly
30s preview
- Key
- 7A · D minor
- BPM
- 143
- Half-time
- 72
- Open Key
- 12m
- Energy
- 98/100
- Pop
- 50/100
- Length
- 3:09
- Released
- 2026
- Genre
- Trance
- Loudness
- -6.2 dB
- Dynamics
- 11.2 dB
- ISRC
- NLZ542600162
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Ready to Fly: driving up-tempo trance, D minor (7A), 143 BPM. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 11 dB). Faster than 99% of Bryan Kearney's catalogue.
- Reach:
- better known than 99% of Bryan Kearney's catalogue
- Brightness:
- brighter than 92% of Bryan Kearney's catalogue
- Low end:
- more treble-tilted than 78% of Bryan Kearney's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Ready to Fly in?
Ready to Fly by Bryan Kearney is in D minor, or 7A on the Camelot wheel.
What BPM is Ready to Fly?
Ready to Fly runs at 143 BPM, a driving up-tempo track.
What mixes well with Ready to Fly?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Ready to Fly good for peak time?
With energy 98 out of 100 at 143 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 143 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 134-152 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 143 — beatmatch without a big tempo pull.
More trance
More from Bryan Kearney
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 143 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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