Need You Now (How Many Times) - Bryan Kearney Radio Edit by Bryan Kearney cover art

Need You Now (How Many Times) - Bryan Kearney Radio Edit

Bryan Kearney

30s preview

Key
6B · B♭ major
BPM
138
Open Key
11d
Energy
99/100
Pop
30/100
Length
4:19
Released
2015
Album
Need You Now (How Many Times) [Bryan Kearney Remixes]
Genre
Trance
Loudness
-5.9 dB
Dynamics
10.0 dB
ISRC
USCRB1411097

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Need You Now (How Many Times) - Bryan Kearney Radio Edit is a driving up-tempo trance track in B♭ major (6B) at 138 BPM. The feel is dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2015 production that still circulates in sets. Better known than 94% of Bryan Kearney's catalogue. In a set it works best as a peak-time weapon.

Groove:
less groove-driven than 90% of Bryan Kearney's catalogue
Brightness:
darker than 89% of Bryan Kearney's catalogue
Energy:
hotter than 82% of Bryan Kearney's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy99
Mood9Dark
Groove46
Acoustic0
Instrumental59
Live38
Speech10

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
34%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Need You Now (How Many Times) - Bryan Kearney Radio Edit in?

Need You Now (How Many Times) - Bryan Kearney Radio Edit by Bryan Kearney is in B♭ major, or 6B on the Camelot wheel.

What BPM is Need You Now (How Many Times) - Bryan Kearney Radio Edit?

Need You Now (How Many Times) - Bryan Kearney Radio Edit runs at 138 BPM, a driving up-tempo track.

What mixes well with Need You Now (How Many Times) - Bryan Kearney Radio Edit?

From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.

Is Need You Now (How Many Times) - Bryan Kearney Radio Edit good for peak time?

With energy 99 out of 100 at 138 BPM, it works best as a peak-time weapon.

Mixes harmonically

6B5B · 7B · 6A

From 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.

Every move from 6B

7BSimple Mix Upper
5BSimple Mix Downer
6ATonal Shift·
7ADiagonal Mix Upper
5ADiagonal Mix Downer
9ACompatible Tone·
8BHigh Energy Boost▲▲▲
4BHigh Energy Drain▼▼▼
9BParallel Key Upper▲▲
3BParallel Key Downer▼▼
1BTritone Jump▲▲
10BRelated Keyrisky

How to mix it

In 6B at 138 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.

Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 99/100).

Similar tempo

Within ±3 BPM of 138 — beatmatch without a big tempo pull.

More trance

More from Bryan Kearney

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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