Believe in Everything
30s preview
- BPM
- 138
- Open Key
- 4m
- Energy
- 100/100
- Pop
- 0/100
- Length
- 6:52
- Released
- 2016
- Genre
- Trance
- Loudness
- -6.3 dB
- Dynamics
- 9.5 dB
- ISRC
- NLE711600050
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Believe in Everything - Steve Allen Remixremix11A · 140
- Believe in Everything - Steve Allen Extended Remixremix1B · 140
Believe in Everything is a driving up-tempo trance track in F♯ minor (11A) at 138 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2016 production that still circulates in sets. Hotter than 99% of Talla 2XLC's catalogue. For programming, treat it as a peak-time weapon.
- Reach:
- more underground than 99% of Talla 2XLC's catalogue
- Groove:
- less groove-driven than 77% of Talla 2XLC's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Believe in Everything in?
Believe in Everything by Talla 2XLC is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Believe in Everything?
Believe in Everything runs at 138 BPM, a driving up-tempo track.
What mixes well with Believe in Everything?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Believe in Everything good for peak time?
With energy 100 out of 100 at 138 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 138 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 100/100).
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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