Nothing Compares To You by Talla 2XLC cover art

Nothing Compares To You

Talla 2XLC

30s preview

Key
3A · B♭ minor
BPM
138
Open Key
8m
Energy
99/100
Pop
11/100
Length
3:33
Released
2022
Genre
Trance
Loudness
-4.5 dB
Dynamics
14.0 dB
ISRC
DEA312200115

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

A driving up-tempo trance cut, Nothing Compares To You sits in B♭ minor (3A) at 138 BPM. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 14 dB). Darker than 96% of Talla 2XLC's catalogue.

Reach:
better known than 83% of Talla 2XLC's catalogue
Energy:
hotter than 82% of Talla 2XLC's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy99
Mood4Dark
Groove47
Acoustic1
Instrumental0
Live15
Speech29

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
29%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is Nothing Compares To You in?

Nothing Compares To You by Talla 2XLC is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Nothing Compares To You?

Nothing Compares To You runs at 138 BPM, a driving up-tempo track.

What mixes well with Nothing Compares To You?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Nothing Compares To You good for peak time?

With energy 99 out of 100 at 138 BPM, it works best as a peak-time weapon.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 138 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 99/100).

Similar tempo

Within ±3 BPM of 138 — beatmatch without a big tempo pull.

More trance

More from Talla 2XLC

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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