Feel Less - Extended Mix
30s preview
- BPM
- 142
- Half-time
- 71
- Open Key
- 4d
- Energy
- 99/100
- Pop
- 11/100
- Length
- 5:25
- Released
- 2024
- Album
- Feel Less
- Genre
- Trance
- Loudness
- -5.9 dB
- Dynamics
- 15.4 dB
- ISRC
- NLD682401296
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Feel Lessoriginal12A · 142
Against the original (12A at 142 BPM), this version holds the same tempo and moves the key from 12A to 11B.
Feel Less - Extended Mix runs 142 BPM in A major (11B), a driving up-tempo trance record. It reads as dark and driving. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 15 dB). More treble-tilted than 99% of Bryan Kearney's catalogue. For programming, treat it as a floor-filler.
- Tempo:
- faster than 95% of Bryan Kearney's catalogue
- Groove:
- groovier than 90% of Bryan Kearney's catalogue
- Energy:
- hotter than 77% of Bryan Kearney's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 25%
- Low
- 30-130 Hz
- 34%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Feel Less - Extended Mix in?
Feel Less - Extended Mix by Bryan Kearney is in A major, or 11B on the Camelot wheel.
What BPM is Feel Less - Extended Mix?
Feel Less - Extended Mix runs at 142 BPM, a driving up-tempo track.
What mixes well with Feel Less - Extended Mix?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Feel Less - Extended Mix good for peak time?
With energy 99 out of 100 at 142 BPM, it works best as a floor-filler.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 142 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 133-151 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 142 — beatmatch without a big tempo pull.
More trance
More from Bryan Kearney
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 142 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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