1998 - Paul van Dyk Extended Remix
30s preview
- Key
- 7B · F major
- BPM
- 142
- Half-time
- 71
- Open Key
- 12d
- Energy
- 93/100
- Pop
- 1/100
- Length
- 9:49
- Released
- 2000
- Album
- 1998 (Paul van Dyk Remix)
- Genre
- Trance
- Loudness
- -10.1 dB
- Dynamics
- 14.3 dB
- ISRC
- AUKJ30800020
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- 1998 - Paul van Dyk Remixremix10B · 137
At 142 BPM in F major (7B), 1998 - Paul van Dyk Extended Remix is a driving up-tempo trance production. It reads as punchy, neutral in mood. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2000 production that still circulates in sets. Faster than 94% of Paul van Dyk's catalogue. In a set it works best as a high-intensity peak cut.
- Low end:
- more treble-tilted than 79% of Paul van Dyk's catalogue
- Groove:
- less groove-driven than 76% of Paul van Dyk's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is 1998 - Paul van Dyk Extended Remix in?
1998 - Paul van Dyk Extended Remix by Paul van Dyk is in F major, or 7B on the Camelot wheel.
What BPM is 1998 - Paul van Dyk Extended Remix?
1998 - Paul van Dyk Extended Remix runs at 142 BPM, a driving up-tempo track.
What mixes well with 1998 - Paul van Dyk Extended Remix?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is 1998 - Paul van Dyk Extended Remix good for peak time?
With energy 93 out of 100 at 142 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 142 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 133-151 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 142 — beatmatch without a big tempo pull.
More trance
More from Paul van Dyk
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 142 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.