We Dream
- BPM
- 142
- Half-time
- 71
- Open Key
- 8m
- Energy
- 93/100
- Pop
- 1/100
- Length
- 7:13
- Released
- 2019
- Genre
- Progressive Trance
- Loudness
- -5.6 dB
- ISRC
- DKZVA1962236
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
We Dream runs 142 BPM in B♭ minor (3A), a driving up-tempo progressive trance record. It reads as dark and driving. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Less groove-driven than 99% of Ace Ventura's catalogue. For programming, treat it as a high-intensity peak cut.
- Tempo:
- faster than 78% of Ace Ventura's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is We Dream in?
We Dream by Ace Ventura is in B♭ minor, or 3A on the Camelot wheel.
What BPM is We Dream?
We Dream runs at 142 BPM, a driving up-tempo track.
What mixes well with We Dream?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is We Dream good for peak time?
With energy 93 out of 100 at 142 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 142 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 133-151 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 142 — beatmatch without a big tempo pull.
More progressive trance
More from Ace Ventura
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 142 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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