Judgment Day
30s preview
- BPM
- 142
- Half-time
- 71
- Open Key
- 8d
- Energy
- 90/100
- Pop
- 0/100
- Length
- 7:13
- Released
- 2016
- Genre
- Psy Trance
- Loudness
- -4.9 dB
- Dynamics
- 12.9 dB
- ISRC
- BEY921607247
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Judgment Day: driving up-tempo psy trance, D♭ major (3B), 142 BPM. It reads as dark and driving. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). A 2016 production that still circulates in sets. More underground than 99% of Blastoyz's catalogue. For programming, treat it as a high-intensity peak cut.
- Groove:
- less groove-driven than 97% of Blastoyz's catalogue
- Low end:
- more treble-tilted than 95% of Blastoyz's catalogue
- Brightness:
- darker than 92% of Blastoyz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Judgment Day in?
Judgment Day by Blastoyz is in D♭ major, or 3B on the Camelot wheel.
What BPM is Judgment Day?
Judgment Day runs at 142 BPM, a driving up-tempo track.
What mixes well with Judgment Day?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Judgment Day good for peak time?
With energy 90 out of 100 at 142 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 142 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 133-151 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 142 — beatmatch without a big tempo pull.
More psy trance
More from Blastoyz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 142 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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