Let It Be For Love (ASOT 1235)
30s preview
- BPM
- 142
- Half-time
- 71
- Open Key
- 4m
- Energy
- 84/100
- Pop
- 0/100
- Length
- 4:34
- Released
- 2025
- Album
- ASOT 1235 - A State of Trance Episode 1235 [Including A State of Trance, Ibiza 2025 (Mix 3: Who's Afraid of 138?!)]
- Genre
- Trance
- Loudness
- -7.1 dB
- Dynamics
- 13.9 dB
- ISRC
- NLF712505011
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Let It Be For Love - Extended Mixversion2A · 130
- Let It Be For Loveoriginal2A · 130
- Let It Be For Love (ASOT 1234) - 138 Mixoriginal2A · 140
A driving up-tempo trance cut, Let It Be For Love (ASOT 1235) sits in F♯ minor (11A) at 142 BPM. It reads as dark and driving. It is vocal-led. The master keeps unusual dynamic range for club music (crest 14 dB). More underground than 99% of Armin van Buuren's catalogue. For programming, treat it as a high-intensity peak cut.
- Tempo:
- faster than 89% of Armin van Buuren's catalogue
- Low end:
- more treble-tilted than 87% of Armin van Buuren's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Let It Be For Love (ASOT 1235) in?
Let It Be For Love (ASOT 1235) by Armin van Buuren is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Let It Be For Love (ASOT 1235)?
Let It Be For Love (ASOT 1235) runs at 142 BPM, a driving up-tempo track.
What mixes well with Let It Be For Love (ASOT 1235)?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Let It Be For Love (ASOT 1235) good for peak time?
With energy 84 out of 100 at 142 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 142 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 133-151 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 142 — beatmatch without a big tempo pull.
![7 Seconds (Cassö Remix) [feat. Shamiya Battles] - Extended Mix by James Hype cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/a8a73cca7f34adcdb7d2.webp){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 142 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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