Attention - Steve Birch Remix
- BPM
- 142
- Half-time
- 71
- Open Key
- 3m
- Energy
- 81/100
- Pop
- 0/100
- Length
- 10:15
- Released
- 2005
- Album
- Attention
- Genre
- Trance
- Loudness
- -14.3 dB
- ISRC
- GBCDK0662042
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Attention - Original Mixoriginal8A · 140
Against the original (8A at 140 BPM), this version runs 2 BPM faster and moves the key from 8A to 10A.
Attention - Steve Birch Remix runs 142 BPM in B minor (10A), a driving up-tempo trance record. The feel is dark and driving. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2005 production that still circulates in sets. Darker than 99% of John 00 Fleming's catalogue. In a set it works best as a high-intensity peak cut.
- Reach:
- more underground than 99% of John 00 Fleming's catalogue
- Tempo:
- faster than 95% of John 00 Fleming's catalogue
- Groove:
- less groove-driven than 76% of John 00 Fleming's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Attention - Steve Birch Remix in?
Attention - Steve Birch Remix by John 00 Fleming is in B minor, or 10A on the Camelot wheel.
What BPM is Attention - Steve Birch Remix?
Attention - Steve Birch Remix runs at 142 BPM, a driving up-tempo track.
What mixes well with Attention - Steve Birch Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Attention - Steve Birch Remix good for peak time?
With energy 81 out of 100 at 142 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 142 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 133-151 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 142 — beatmatch without a big tempo pull.
More trance
More from John 00 Fleming
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 142 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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