Tidal
30s preview
- Key
- 4A · F minor
- BPM
- 141
- Half-time
- 71
- Open Key
- 9m
- Energy
- 97/100
- Pop
- 14/100
- Length
- 3:30
- Released
- 2024
- Genre
- Trance
- Loudness
- -5.5 dB
- Dynamics
- 10.3 dB
- ISRC
- NLF712409944
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Tidal - Extended Mixversion4A · 141
Tidal is a driving up-tempo trance track in F minor (4A) at 141 BPM. Its spectrum is weighted to the sub and kick, with a heavy low end. Faster than 95% of Ferry Corsten's catalogue. In a set it works best as a high-intensity peak cut.
- Reach:
- better known than 89% of Ferry Corsten's catalogue
- Energy:
- hotter than 88% of Ferry Corsten's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Tidal in?
Tidal by Ferry Corsten is in F minor, or 4A on the Camelot wheel.
What BPM is Tidal?
Tidal runs at 141 BPM, a driving up-tempo track.
What mixes well with Tidal?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Tidal good for peak time?
With energy 97 out of 100 at 141 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
![Bach To The Future (ASOT 1219) [Trending Track] by Armin van Buuren cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/a93747eed5e02915c12c.webp){kind=small}
How to mix it
In 4A at 141 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 133-149 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 141 — beatmatch without a big tempo pull.
![Beautiful [CC455] (MaRLo Remix) by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e0266ef5c2fb427621ba6d292a5){kind=small}
![Can't Stand The Silence [Mix Cut] - Paul van Dyk Remix by Paul van Dyk cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/5e389a0e278d62dcf488.webp){kind=small}
More trance
More from Ferry Corsten
Full profile
![New Inner Way (ASOT 1215) [Trending Track] by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e027d6073953cf296ab1c10248a){kind=small}
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 141 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.