Meridian Bay by John O'Callaghan cover art

Meridian Bay

John O'Callaghan

Key
9B · G major
BPM
142
Half-time
71
Open Key
2d
Energy
97/100
Pop
0/100
Length
6:52
Released
2015
Album
Total Spectrum EP
Genre
Trance
Loudness
-7.6 dB
ISRC
NLD681501486

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Meridian Bay is a driving up-tempo trance track in G major (9B) at 142 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. A 2015 production that still circulates in sets. More underground than 99% of John O'Callaghan's catalogue. In a set it works best as a high-intensity peak cut.

Tempo:
faster than 95% of John O'Callaghan's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy97
Mood32Dark
Groove53
Acoustic0
Instrumental88
Live6
Speech4

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Meridian Bay in?

Meridian Bay by John O'Callaghan is in G major, or 9B on the Camelot wheel.

What BPM is Meridian Bay?

Meridian Bay runs at 142 BPM, a driving up-tempo track.

What mixes well with Meridian Bay?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Meridian Bay good for peak time?

With energy 97 out of 100 at 142 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 142 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 133-151 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 142 — beatmatch without a big tempo pull.

More trance

More from John O'Callaghan

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 142 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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