![Gimme The Love (ASOT 1226) [Tune Of The Week] by Armin van Buuren cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/be1386b1b7e72cd31673.webp)
Gimme The Love (ASOT 1226) [Tune Of The Week]
30s preview
- BPM
- 139
- Open Key
- 3m
- Energy
- 92/100
- Pop
- 38/100
- Length
- 4:12
- Released
- 2025
- Album
- ASOT 1226 - A State of Trance Episode 1226 [Including A State Of Trance, Ibiza 2017 (Mixed by Armin van Buuren)]
- Genre
- Trance
- Loudness
- -6.1 dB
- Dynamics
- 13.2 dB
- ISRC
- NLF712503630
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Gimme The Love (ASOT 1229)original6A · 140
- Gimme The Loveoriginal6A · 142
- Gimme The Love (ASOT 1239)original6A · 143
- Gimme The Love - Extended Mixversion6A · 142
At 139 BPM in B minor (10A), Gimme The Love (ASOT 1226) [Tune Of The Week] is a driving up-tempo trance production. It is vocal-led. The master keeps unusual dynamic range for club music (crest 13 dB). Better known than 94% of Armin van Buuren's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- faster than 84% of Armin van Buuren's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Gimme The Love (ASOT 1226) [Tune Of The Week] in?
Gimme The Love (ASOT 1226) [Tune Of The Week] by Armin van Buuren is in B minor, or 10A on the Camelot wheel.
What BPM is Gimme The Love (ASOT 1226) [Tune Of The Week]?
Gimme The Love (ASOT 1226) [Tune Of The Week] runs at 139 BPM, a driving up-tempo track.
What mixes well with Gimme The Love (ASOT 1226) [Tune Of The Week]?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Gimme The Love (ASOT 1226) [Tune Of The Week] good for peak time?
With energy 92 out of 100 at 139 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 139 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 131-147 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 139 — beatmatch without a big tempo pull.
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 139 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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