10:35 (feat. Tate McRae) - Sped Up Version
- Key
- 1B · B major
- BPM
- 144
- Half-time
- 72
- Open Key
- 6d
- Energy
- 87/100
- Pop
- 28/100
- Length
- 2:24
- Released
- 2023
- Album
- 10:35 (feat. Tate McRae) [Sped Up Version]
- Genre
- Trance
- Loudness
- -5.4 dB
- ISRC
- CYA112300019
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- 10:35original4B · 120
- 10:35 (feat. Tate McRae) - Joel Corry Remixremix4B · 127
- 10:35 (feat. Tate McRae) - Tiësto’s New Year’s Eve VIP Remixremix3B · 125
- 10:35 (feat. Tate McRae) - PAJANE Remixremix3B · 128
10:35 (feat. Tate McRae) - Sped Up Version: driving up-tempo trance, B major (1B), 144 BPM. Tonally it lands bright and euphoric. It is vocal-led. Brighter than 99% of Tiësto's catalogue. For programming, treat it as a high-intensity peak cut.
- Tempo:
- faster than 82% of Tiësto's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is 10:35 (feat. Tate McRae) - Sped Up Version in?
10:35 (feat. Tate McRae) - Sped Up Version by Tiësto is in B major, or 1B on the Camelot wheel.
What BPM is 10:35 (feat. Tate McRae) - Sped Up Version?
10:35 (feat. Tate McRae) - Sped Up Version runs at 144 BPM, a driving up-tempo track.
What mixes well with 10:35 (feat. Tate McRae) - Sped Up Version?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is 10:35 (feat. Tate McRae) - Sped Up Version good for peak time?
With energy 87 out of 100 at 144 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 144 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 135-153 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 144 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 144 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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