2011
30s preview
- Key
- 8A · A minor
- BPM
- 144
- Half-time
- 72
- Open Key
- 1m
- Energy
- 88/100
- Pop
- 0/100
- Length
- 4:54
- Released
- 2025
- Genre
- Trance
- Loudness
- -9.9 dB
- Dynamics
- 12.6 dB
- ISRC
- QM6N22553642
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- 2011original8B · 144
A driving up-tempo trance cut, 2011 sits in A minor (8A) at 144 BPM. It reads as punchy, neutral in mood. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 13 dB). More underground than 99% of Effy's catalogue. In a set it works best as a high-intensity peak cut.
- Groove:
- less groove-driven than 85% of Effy's catalogue
- Tempo:
- faster than 79% of Effy's catalogue
- Brightness:
- brighter than 76% of Effy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is 2011 in?
2011 by Effy is in A minor, or 8A on the Camelot wheel.
What BPM is 2011?
2011 runs at 144 BPM, a driving up-tempo track.
What mixes well with 2011?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is 2011 good for peak time?
With energy 88 out of 100 at 144 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
![Forty Thousand Dollars // [COLOR002] - Original Mix by Trym cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/4c3045a93892fe57ba20.webp){kind=small}
How to mix it
In 8A at 144 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 135-153 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 144 — beatmatch without a big tempo pull.
More trance
![Dream // [COLOR002] - Original Mix by Trym cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/ac2044bfab407d58c8a1.webp){kind=small}
More from Effy
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 144 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.