Rasa Lila - Jay Selway Remix
- Key
- 9B · G major
- BPM
- 144
- Half-time
- 72
- Open Key
- 2d
- Energy
- 92/100
- Pop
- 0/100
- Length
- 8:53
- Released
- 2006
- Album
- Rasa Lila
- Genre
- Trance
- Loudness
- -6.9 dB
- ISRC
- GBCDK0667099
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Rasa Lila - Anton Chernikov Remixremix4B · 138
- Rasa Lila - Incolumis Remixremix3B · 128
- Rasa Lila - John C Remixremix4B · 133
- Rasa Lila - Siberian Son Remixremix3A · 135
At 144 BPM in G major (9B), Rasa Lila - Jay Selway Remix is a driving up-tempo trance production. Tonally it lands dark and driving. The mix is almost entirely instrumental. A 2006 production that still circulates in sets. More underground than 99% of John 00 Fleming's catalogue. For programming, treat it as a high-intensity peak cut.
- Brightness:
- darker than 98% of John 00 Fleming's catalogue
- Tempo:
- faster than 97% of John 00 Fleming's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Rasa Lila - Jay Selway Remix in?
Rasa Lila - Jay Selway Remix by John 00 Fleming is in G major, or 9B on the Camelot wheel.
What BPM is Rasa Lila - Jay Selway Remix?
Rasa Lila - Jay Selway Remix runs at 144 BPM, a driving up-tempo track.
What mixes well with Rasa Lila - Jay Selway Remix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Rasa Lila - Jay Selway Remix good for peak time?
With energy 92 out of 100 at 144 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 144 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 135-153 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 144 — beatmatch without a big tempo pull.
More trance
More from John 00 Fleming
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 144 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.