City 2 City (Shadym Original Mix)
30s preview
- BPM
- 145
- Half-time
- 73
- Open Key
- 3d
- Energy
- 99/100
- Pop
- 1/100
- Length
- 3:30
- Released
- 2021
- Album
- City 2 City (Shadym Mix)
- Genre
- Trance
- Loudness
- -7.3 dB
- Dynamics
- 12.4 dB
- ISRC
- DEA312107801
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- City 2 City (Talla 2XLC Original Mix)original4B · 140
- City 2 City (DJ Wag Original Mix)original8B · 140
City 2 City (Shadym Original Mix) is a driving up-tempo trance track in D major (10B) at 145 BPM. Tonally it lands dark and driving. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Faster than 98% of Talla 2XLC's catalogue. For programming, treat it as a high-intensity peak cut.
- Energy:
- hotter than 90% of Talla 2XLC's catalogue
- Groove:
- less groove-driven than 81% of Talla 2XLC's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 23%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is City 2 City (Shadym Original Mix) in?
City 2 City (Shadym Original Mix) by Talla 2XLC is in D major, or 10B on the Camelot wheel.
What BPM is City 2 City (Shadym Original Mix)?
City 2 City (Shadym Original Mix) runs at 145 BPM, a driving up-tempo track.
What mixes well with City 2 City (Shadym Original Mix)?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is City 2 City (Shadym Original Mix) good for peak time?
With energy 99 out of 100 at 145 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 145 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 136-154 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 145 — beatmatch without a big tempo pull.
More trance
More from Talla 2XLC
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 145 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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