FOTIÀ - Hard Mix
30s preview
- BPM
- 145
- Half-time
- 73
- Open Key
- 4m
- Energy
- 99/100
- Pop
- 20/100
- Length
- 5:06
- Released
- 2024
- Album
- HARD POP
- Genre
- Techno
- Label
- Sola_mente Records
- Loudness
- -6.2 dB
- Dynamics
- 9.5 dB
- ISRC
- DEUD42426896
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Fotiáoriginal9B · 130
At 145 BPM in F♯ minor (11A), FOTIÀ - Hard Mix is a driving up-tempo techno production. It reads as dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Hotter than 98% of Deborah de Luca's catalogue. For programming, treat it as a floor-filler.
- Tempo:
- faster than 82% of Deborah de Luca's catalogue
- Low end:
- more treble-tilted than 79% of Deborah de Luca's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is FOTIÀ - Hard Mix in?
FOTIÀ - Hard Mix by Deborah de Luca is in F♯ minor, or 11A on the Camelot wheel.
What BPM is FOTIÀ - Hard Mix?
FOTIÀ - Hard Mix runs at 145 BPM, a driving up-tempo track.
What mixes well with FOTIÀ - Hard Mix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is FOTIÀ - Hard Mix good for peak time?
With energy 99 out of 100 at 145 BPM, it works best as a floor-filler.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 145 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 136-154 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 145 — beatmatch without a big tempo pull.
More techno
More from Deborah de Luca
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 145 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
