I'm Really Hot by Deborah de Luca cover art

I'm Really Hot

Deborah de Luca

30s preview

Key
10A · B minor
BPM
145
Half-time
73
Open Key
3m
Energy
96/100
Pop
17/100
Length
6:01
Released
2025
Genre
Techno
Loudness
-7.1 dB
Dynamics
10.5 dB
ISRC
ITJ872500207

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

I'm Really Hot is a driving up-tempo techno track in B minor (10A) at 145 BPM. The feel is dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Hotter than 88% of Deborah de Luca's catalogue. For programming, treat it as a floor-filler.

Tempo:
faster than 82% of Deborah de Luca's catalogue
Low end:
more treble-tilted than 76% of Deborah de Luca's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy96
Mood23Dark
Groove76
Acoustic0
Instrumental86
Live10
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is I'm Really Hot in?

I'm Really Hot by Deborah de Luca is in B minor, or 10A on the Camelot wheel.

What BPM is I'm Really Hot?

I'm Really Hot runs at 145 BPM, a driving up-tempo track.

What mixes well with I'm Really Hot?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is I'm Really Hot good for peak time?

With energy 96 out of 100 at 145 BPM, it works best as a floor-filler.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 145 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 136-154 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 145 — beatmatch without a big tempo pull.

More techno

More from Deborah de Luca

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 145 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track