Angels Never Die
30s preview
- BPM
- 145
- Half-time
- 73
- Open Key
- 4m
- Energy
- 94/100
- Pop
- 0/100
- Length
- 5:52
- Released
- 2022
- Genre
- Techno
- Loudness
- -6.6 dB
- Dynamics
- 17.3 dB
- ISRC
- BE4JP2200023
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A driving up-tempo techno cut, Angels Never Die sits in F♯ minor (11A) at 145 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 17 dB). More underground than 99% of Indira Paganotto's catalogue. For programming, treat it as a floor-filler.
- Energy:
- hotter than 83% of Indira Paganotto's catalogue
- Brightness:
- darker than 83% of Indira Paganotto's catalogue
- Low end:
- more treble-tilted than 78% of Indira Paganotto's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Angels Never Die in?
Angels Never Die by Indira Paganotto is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Angels Never Die?
Angels Never Die runs at 145 BPM, a driving up-tempo track.
What mixes well with Angels Never Die?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Angels Never Die good for peak time?
With energy 94 out of 100 at 145 BPM, it works best as a floor-filler.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 145 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 136-154 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 145 — beatmatch without a big tempo pull.
More techno
More from Indira Paganotto
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 145 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
