Malina by Charlotte de Witte cover art

30s preview

Key
10A · B minor
BPM
139
Open Key
3m
Energy
87/100
Pop
47/100
Length
6:10
Released
2026
Genre
Techno
Loudness
-6.6 dB
Dynamics
9.6 dB
ISRC
BE4JP2600005

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Malina runs 139 BPM in B minor (10A), a driving up-tempo techno record. Tonally it lands dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. Faster than 88% of Charlotte de Witte's catalogue. In a set it works best as a peak-time weapon.

Reach:
better known than 88% of Charlotte de Witte's catalogue
Groove:
less groove-driven than 82% of Charlotte de Witte's catalogue
Low end:
more treble-tilted than 78% of Charlotte de Witte's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy87
Mood17Dark
Groove67
Acoustic0
Instrumental60
Live11
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Malina in?

Malina by Charlotte de Witte is in B minor, or 10A on the Camelot wheel.

What BPM is Malina?

Malina runs at 139 BPM, a driving up-tempo track.

What mixes well with Malina?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Malina good for peak time?

With energy 87 out of 100 at 139 BPM, it works best as a peak-time weapon.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 139 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 131-147 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 87/100).

Similar tempo

Within ±3 BPM of 139 — beatmatch without a big tempo pull.

More techno

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More from Charlotte de Witte

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 139 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track