Lions of God by Indira Paganotto cover art

Lions of God

Indira Paganotto

30s preview

Key
4A · F minor
BPM
145
Half-time
73
Open Key
9m
Energy
92/100
Pop
0/100
Length
6:12
Released
2022
Genre
Techno
Loudness
-12.0 dB
Dynamics
18.0 dB
ISRC
BE4JP2200024

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Lions of God runs 145 BPM in F minor (4A), a driving up-tempo techno record. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 18 dB). More underground than 99% of Indira Paganotto's catalogue.

Low end:
more treble-tilted than 98% of Indira Paganotto's catalogue
Brightness:
darker than 96% of Indira Paganotto's catalogue
Energy:
hotter than 78% of Indira Paganotto's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy92
Mood4Dark
Groove70
Acoustic8
Instrumental78
Live13
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
21%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
28%
Upper-mid
570 Hz-2.5 kHz
20%
High
2.5-11 kHz

FAQ

What key is Lions of God in?

Lions of God by Indira Paganotto is in F minor, or 4A on the Camelot wheel.

What BPM is Lions of God?

Lions of God runs at 145 BPM, a driving up-tempo track.

What mixes well with Lions of God?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is Lions of God good for peak time?

With energy 92 out of 100 at 145 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

#Track

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 145 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 136-154 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 145 — beatmatch without a big tempo pull.

#Track

More techno

More from Indira Paganotto

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 145 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track