Hallucination
- BPM
- 145
- Half-time
- 73
- Open Key
- 9d
- Energy
- 96/100
- Pop
- 38/100
- Length
- 6:12
- Released
- 2024
- Genre
- Techno
- Loudness
- -5.4 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A driving up-tempo techno cut, Hallucination sits in A♭ major (4B) at 145 BPM. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Better known than 93% of Deborah de Luca's catalogue. In a set it works best as a floor-filler.
- Energy:
- hotter than 89% of Deborah de Luca's catalogue
- Tempo:
- faster than 82% of Deborah de Luca's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Hallucination in?
Hallucination by Deborah de Luca is in A♭ major, or 4B on the Camelot wheel.
What BPM is Hallucination?
Hallucination runs at 145 BPM, a driving up-tempo track.
What mixes well with Hallucination?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Hallucination good for peak time?
With energy 96 out of 100 at 145 BPM, it works best as a floor-filler.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 145 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 136-154 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 145 — beatmatch without a big tempo pull.
More techno
More from Deborah de Luca
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 145 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
