Awake by Deborah de Luca cover art
Key
10A · B minor
BPM
145
Half-time
73
Open Key
3m
Energy
99/100
Pop
32/100
Length
5:16
Released
2023
Genre
Techno
Loudness
-4.9 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 145 BPM in B minor (10A), Awake is a driving up-tempo techno production. It reads as bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master is loud and heavily compressed. Brighter than 99% of Deborah de Luca's catalogue. In a set it works best as a floor-filler.

Energy:
hotter than 98% of Deborah de Luca's catalogue
Reach:
better known than 86% of Deborah de Luca's catalogue
Tempo:
faster than 82% of Deborah de Luca's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy99
Mood84Bright
Groove75
Acoustic0
Instrumental88
Live12
Speech7

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Awake in?

Awake by Deborah de Luca is in B minor, or 10A on the Camelot wheel.

What BPM is Awake?

Awake runs at 145 BPM, a driving up-tempo track.

What mixes well with Awake?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Awake good for peak time?

With energy 99 out of 100 at 145 BPM, it works best as a floor-filler.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 145 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 136-154 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 145 — beatmatch without a big tempo pull.

More techno

More from Deborah de Luca

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 145 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track