Liam Como Las Lias
30s preview
- BPM
- 145
- Half-time
- 73
- Open Key
- 3m
- Energy
- 100/100
- Pop
- 26/100
- Length
- 5:38
- Released
- 2013
- Album
- Fatima Hajji
- Genre
- Hard Techno
- Label
- Standbite Music
- Loudness
- -6.6 dB
- Dynamics
- 8.7 dB
- ISRC
- NLCK41019914
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Liam Como Las Lias runs 145 BPM in B minor (10A), a driving up-tempo hard techno record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2013 production that still circulates in sets. Brighter than 93% of Fatima Hajji's catalogue. In a set it works best as a high-intensity peak cut.
- Tempo:
- faster than 86% of Fatima Hajji's catalogue
- Energy:
- hotter than 84% of Fatima Hajji's catalogue
- Reach:
- better known than 84% of Fatima Hajji's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Liam Como Las Lias in?
Liam Como Las Lias by Fatima Hajji is in B minor, or 10A on the Camelot wheel.
What BPM is Liam Como Las Lias?
Liam Como Las Lias runs at 145 BPM, a driving up-tempo track.
What mixes well with Liam Como Las Lias?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Liam Como Las Lias good for peak time?
With energy 100 out of 100 at 145 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 145 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 136-154 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 145 — beatmatch without a big tempo pull.
More hard techno
More from Fatima Hajji
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 145 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
