Get You Down (feat. Francis Waves)
30s preview
- Key
- 8A · A minor
- BPM
- 145
- Half-time
- 73
- Open Key
- 1m
- Energy
- 80/100
- Pop
- 21/100
- Length
- 2:21
- Released
- 2024
- Genre
- Trance
- Loudness
- -5.6 dB
- Dynamics
- 8.2 dB
- ISRC
- USUS12400487
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A driving up-tempo trance cut, Get You Down (feat. Francis Waves) sits in A minor (8A) at 145 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. Faster than 97% of Andrew Rayel's catalogue. In a set it works best as a high-intensity peak cut.
- Low end:
- more bass-heavy than 90% of Andrew Rayel's catalogue
- Energy:
- calmer than 84% of Andrew Rayel's catalogue
- Reach:
- better known than 83% of Andrew Rayel's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Get You Down (feat. Francis Waves) in?
Get You Down (feat. Francis Waves) by Andrew Rayel is in A minor, or 8A on the Camelot wheel.
What BPM is Get You Down (feat. Francis Waves)?
Get You Down (feat. Francis Waves) runs at 145 BPM, a driving up-tempo track.
What mixes well with Get You Down (feat. Francis Waves)?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Get You Down (feat. Francis Waves) good for peak time?
With energy 80 out of 100 at 145 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 145 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 136-154 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 145 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 145 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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