Put Your Bassline
30s preview
- Key
- 8B · C major
- BPM
- 146
- Half-time
- 73
- Open Key
- 1d
- Energy
- 99/100
- Pop
- 0/100
- Length
- 2:31
- Released
- 2025
- Album
- ASOT 1248 - A State of Trance Episode 1248 (ADE Special) [Including A State Of Trance Showcase - Mix 021: Nifra]
- Genre
- Trance
- Loudness
- -5.3 dB
- Dynamics
- 9.3 dB
- ISRC
- NLF712506632
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Put Your Bassline - Extended Mixversion9B · 146
At 146 BPM in C major (8B), Put Your Bassline is a fast trance production. It reads as punchy, neutral in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Armin van Buuren's catalogue. In a set it works best as a high-intensity peak cut.
- Energy:
- hotter than 96% of Armin van Buuren's catalogue
- Tempo:
- faster than 94% of Armin van Buuren's catalogue
- Brightness:
- brighter than 89% of Armin van Buuren's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Put Your Bassline in?
Put Your Bassline by Armin van Buuren is in C major, or 8B on the Camelot wheel.
What BPM is Put Your Bassline?
Put Your Bassline runs at 146 BPM, a fast track.
What mixes well with Put Your Bassline?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Put Your Bassline good for peak time?
With energy 99 out of 100 at 146 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 146 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 137-155 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 146 — beatmatch without a big tempo pull.
More trance
More from Armin van Buuren
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 146 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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