Unified - Extended Mix
30s preview
- BPM
- 145
- Half-time
- 73
- Open Key
- 4d
- Energy
- 98/100
- Pop
- 1/100
- Length
- 4:18
- Released
- 2025
- Album
- Unified
- Genre
- Trance
- Loudness
- -4.2 dB
- Dynamics
- 9.5 dB
- ISRC
- NLF712505264
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Unifiedoriginal10A · 145
Against the original (10A at 145 BPM), this version holds the same tempo and moves the key from 10A to 11B.
Unified - Extended Mix runs 145 BPM in A major (11B), a driving up-tempo trance record. The feel is dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Faster than 99% of Giuseppe Ottaviani's catalogue. In a set it works best as a high-intensity peak cut.
- Groove:
- groovier than 92% of Giuseppe Ottaviani's catalogue
- Energy:
- hotter than 91% of Giuseppe Ottaviani's catalogue
- Low end:
- more bass-heavy than 79% of Giuseppe Ottaviani's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Unified - Extended Mix in?
Unified - Extended Mix by Giuseppe Ottaviani is in A major, or 11B on the Camelot wheel.
What BPM is Unified - Extended Mix?
Unified - Extended Mix runs at 145 BPM, a driving up-tempo track.
What mixes well with Unified - Extended Mix?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Unified - Extended Mix good for peak time?
With energy 98 out of 100 at 145 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 145 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 136-154 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 145 — beatmatch without a big tempo pull.
More trance
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 145 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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