My World - Manchester 2004
30s preview
- BPM
- 145
- Half-time
- 73
- Open Key
- 8d
- Energy
- 97/100
- Pop
- 4/100
- Length
- 7:31
- Released
- 1994
- Album
- The Green Valley - EP
- Genre
- Trance
- Loudness
- -10.6 dB
- Dynamics
- 18.0 dB
- ISRC
- DEQ691400226
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- My World - Florjn Mixoriginal1B · 145
- My Worldoriginal7B · 134
- My Worldoriginal3B · 145
- My World - DVD Main Studio Mixoriginal3B · 145
- My World - Florin Mixoriginal1B · 145
- My World - Manchester 2004original3B · 145
My World - Manchester 2004 is a driving up-tempo trance track in D♭ major (3B) at 145 BPM. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 18 dB). A 1994 production that still circulates in sets. Faster than 96% of Paul van Dyk's catalogue. For programming, treat it as a floor-filler.
- Groove:
- groovier than 92% of Paul van Dyk's catalogue
- Brightness:
- brighter than 87% of Paul van Dyk's catalogue
- Energy:
- hotter than 83% of Paul van Dyk's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is My World - Manchester 2004 in?
My World - Manchester 2004 by Paul van Dyk is in D♭ major, or 3B on the Camelot wheel.
What BPM is My World - Manchester 2004?
My World - Manchester 2004 runs at 145 BPM, a driving up-tempo track.
What mixes well with My World - Manchester 2004?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is My World - Manchester 2004 good for peak time?
With energy 97 out of 100 at 145 BPM, it works best as a floor-filler.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 145 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 136-154 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 145 — beatmatch without a big tempo pull.
More trance
More from Paul van Dyk
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 145 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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