Ooh! La La! - Krankenhouse Mix
- BPM
- 145
- Half-time
- 73
- Open Key
- 9d
- Energy
- 97/100
- Pop
- 0/100
- Length
- 6:13
- Released
- 1994
- Album
- 45RPM
- Genre
- Trance
- Loudness
- -10.6 dB
- ISRC
- DEW760900149
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 145 BPM in A♭ major (4B), Ooh! La La! - Krankenhouse Mix is a driving up-tempo trance production. The master keeps real dynamic headroom. A 1994 production that still circulates in sets. More underground than 99% of Paul van Dyk's catalogue. In a set it works best as a floor-filler.
- Tempo:
- faster than 96% of Paul van Dyk's catalogue
- Groove:
- groovier than 91% of Paul van Dyk's catalogue
- Energy:
- hotter than 84% of Paul van Dyk's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Ooh! La La! - Krankenhouse Mix in?
Ooh! La La! - Krankenhouse Mix by Paul van Dyk is in A♭ major, or 4B on the Camelot wheel.
What BPM is Ooh! La La! - Krankenhouse Mix?
Ooh! La La! - Krankenhouse Mix runs at 145 BPM, a driving up-tempo track.
What mixes well with Ooh! La La! - Krankenhouse Mix?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Ooh! La La! - Krankenhouse Mix good for peak time?
With energy 97 out of 100 at 145 BPM, it works best as a floor-filler.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 145 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 136-154 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 145 — beatmatch without a big tempo pull.
More trance
More from Paul van Dyk
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 145 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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