Just Be (feat. Kirsty Hawkshaw) - Dzeko Remix
30s preview
- Key
- 8A · A minor
- BPM
- 145
- Half-time
- 73
- Open Key
- 1m
- Energy
- 83/100
- Pop
- 16/100
- Length
- 2:22
- Released
- 2017
- Album
- Just Be (feat. Kirsty Hawkshaw) [Dzeko Remix]
- Genre
- Trance
- Loudness
- -4.0 dB
- Dynamics
- 9.8 dB
- ISRC
- NLE711700102
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Just Be (feat. Kirsty Hawkshaw) - Stereojackers v Mark Loverush Radio Editversion8A · 135
- Just Be (feat. Kirsty Hawkshaw) - Kris O'Neil Remixremix8A · 128
- Just Be (feat. Kirsty Hawkshaw) - Stereojackers v Mark Loverush Remixremix9B · 135
- Just Be (feat. Kirsty Hawkshaw) - Sephano & Torio Remixremix8A · 130
At 145 BPM in A minor (8A), Just Be (feat. Kirsty Hawkshaw) - Dzeko Remix is a driving up-tempo trance production. Tonally it lands dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2017 production that still circulates in sets. Faster than 83% of Tiësto's catalogue. For programming, treat it as a high-intensity peak cut.
- Groove:
- less groove-driven than 78% of Tiësto's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Just Be (feat. Kirsty Hawkshaw) - Dzeko Remix in?
Just Be (feat. Kirsty Hawkshaw) - Dzeko Remix by Tiësto is in A minor, or 8A on the Camelot wheel.
What BPM is Just Be (feat. Kirsty Hawkshaw) - Dzeko Remix?
Just Be (feat. Kirsty Hawkshaw) - Dzeko Remix runs at 145 BPM, a driving up-tempo track.
What mixes well with Just Be (feat. Kirsty Hawkshaw) - Dzeko Remix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Just Be (feat. Kirsty Hawkshaw) - Dzeko Remix good for peak time?
With energy 83 out of 100 at 145 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
![Forty Thousand Dollars // [COLOR002] - Original Mix by Trym cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/4c3045a93892fe57ba20.webp){kind=small}
How to mix it
In 8A at 145 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 136-154 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 145 — beatmatch without a big tempo pull.
More trance
More from Tiësto
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 145 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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