Yes to All
30s preview
- Key
- 4A · F minor
- BPM
- 145
- Half-time
- 73
- Open Key
- 9m
- Energy
- 86/100
- Pop
- 5/100
- Length
- 7:45
- Released
- 2002
- Genre
- Psy Trance
- Loudness
- -11.2 dB
- Dynamics
- 11.7 dB
- ISRC
- UKACT1947338
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A driving up-tempo psy trance cut, Yes to All sits in F minor (4A) at 145 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2002 production that still circulates in sets. Groovier than 87% of Astrix's catalogue. In a set it works best as a floor-filler.
- Brightness:
- brighter than 76% of Astrix's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is Yes to All in?
Yes to All by Astrix is in F minor, or 4A on the Camelot wheel.
What BPM is Yes to All?
Yes to All runs at 145 BPM, a driving up-tempo track.
What mixes well with Yes to All?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Yes to All good for peak time?
With energy 86 out of 100 at 145 BPM, it works best as a floor-filler.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
![Sweet Escape (ASOT 1232) [Trending Track] by Armin van Buuren cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/812af214f092a983acf8.webp){kind=small}
How to mix it
In 4A at 145 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 136-154 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 145 — beatmatch without a big tempo pull.
More psy trance
More from Astrix
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 145 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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