Stars - Alex O'Rion Bigger Room Remix
- BPM
- 132
- Open Key
- 3d
- Energy
- 86/100
- Pop
- 2/100
- Length
- 7:44
- Released
- 2013
- Album
- Stars
- Genre
- Trance
- Loudness
- -6.4 dB
- ISRC
- NLE711314384
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Stars - Ferry Fixoriginal9B · 130
- Stars - Tenishia Remixremix10A · 133
- Stars - Ferry Radio Fixversion9B · 130
- Stars - Roger Shah Pumpin' Island Editversion10A · 130
- Stars - Roger Shah Pumpin' Island Remixremix10A · 130
Against the original (9B at 130 BPM), this version runs 2 BPM faster and moves the key from 9B to 10B.
Stars - Alex O'Rion Bigger Room Remix is a peak-time tempo trance track in D major (10B) at 132 BPM. It reads as dark and driving. It is vocal-led. A 2013 production that still circulates in sets. In a set it works best as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Stars - Alex O'Rion Bigger Room Remix in?
Stars - Alex O'Rion Bigger Room Remix by Ferry Corsten is in D major, or 10B on the Camelot wheel.
What BPM is Stars - Alex O'Rion Bigger Room Remix?
Stars - Alex O'Rion Bigger Room Remix runs at 132 BPM, a peak-time tempo track.
What mixes well with Stars - Alex O'Rion Bigger Room Remix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Stars - Alex O'Rion Bigger Room Remix good for peak time?
With energy 86 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
![DNA Extractor [Mix Cut] - Markus Schulz Big Room Reconstruction by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02e62d88105cf4cb3b183b4f90){kind=small}
![DNA Extractor [Mix Cut] - Markus Schulz Big Room Reconstruction by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02406413937357e55e7d007744){kind=small}
![Seven Sins [Transmission 2014 Theme] - Original Mix by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e0254885cef08c5332510dde09d){kind=small}
How to mix it
In 10B at 132 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 86/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
![The Lost Oracle (Transmission 2016 Theme) [Extended Mix] by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02371fc77cbd4815cfb4f088da){kind=small}
More trance
![Nothing But Chemistry Here [Mix Cut] by Solarstone cover art](https://i.scdn.co/image/ab67616d00001e02f38a6821eebea9c8f40aa7ec){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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