The Expedition (A State Of Trance 600 Anthem) - Andrew Rayel Remix by Markus Schulz cover art

The Expedition (A State Of Trance 600 Anthem) - Andrew Rayel Remix

Markus Schulz

30s preview

Key
3B · D♭ major
BPM
132
Open Key
8d
Energy
87/100
Pop
4/100
Length
6:56
Released
2013
Album
The Expedition (A State Of Trance 600 Anthem) [The Remixes]
Genre
Trance
Loudness
-3.1 dB
Dynamics
10.4 dB
ISRC
NLF711302764

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A peak-time tempo trance cut, The Expedition (A State Of Trance 600 Anthem) - Andrew Rayel Remix sits in D♭ major (3B) at 132 BPM. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2013 production that still circulates in sets. Groovier than 94% of Markus Schulz's catalogue. In a set it works best as a peak-time weapon.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy87
Mood25Dark
Groove72
Acoustic0
Instrumental1
Live21
Speech20

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is The Expedition (A State Of Trance 600 Anthem) - Andrew Rayel Remix in?

The Expedition (A State Of Trance 600 Anthem) - Andrew Rayel Remix by Markus Schulz is in D♭ major, or 3B on the Camelot wheel.

What BPM is The Expedition (A State Of Trance 600 Anthem) - Andrew Rayel Remix?

The Expedition (A State Of Trance 600 Anthem) - Andrew Rayel Remix runs at 132 BPM, a peak-time tempo track.

What mixes well with The Expedition (A State Of Trance 600 Anthem) - Andrew Rayel Remix?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is The Expedition (A State Of Trance 600 Anthem) - Andrew Rayel Remix good for peak time?

With energy 87 out of 100 at 132 BPM, it works best as a peak-time weapon.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

#TrackKey·BPM

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 132 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 87/100).

Similar tempo

Within ±3 BPM of 132 — beatmatch without a big tempo pull.

More trance

More from Markus Schulz

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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