Astral - Extended Mix
30s preview
- BPM
- 132
- Open Key
- 3d
- Energy
- 85/100
- Pop
- 2/100
- Length
- 6:04
- Released
- 2024
- Album
- Astral
- Genre
- Progressive Trance
- Loudness
- -4.5 dB
- Dynamics
- 10.1 dB
- ISRC
- GBEWA2405993
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Astraloriginal7A · 132
Against the original (7A at 132 BPM), this version holds the same tempo and moves the key from 7A to 10B.
At 132 BPM in D major (10B), Astral - Extended Mix is a peak-time tempo progressive trance production. It reads as dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Faster than 90% of Maor Levi's catalogue. In a set it works best as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Astral - Extended Mix in?
Astral - Extended Mix by Maor Levi is in D major, or 10B on the Camelot wheel.
What BPM is Astral - Extended Mix?
Astral - Extended Mix runs at 132 BPM, a peak-time tempo track.
What mixes well with Astral - Extended Mix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Astral - Extended Mix good for peak time?
With energy 85 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
![DNA Extractor [Mix Cut] - Markus Schulz Big Room Reconstruction by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02e62d88105cf4cb3b183b4f90){kind=small}
![DNA Extractor [Mix Cut] - Markus Schulz Big Room Reconstruction by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02406413937357e55e7d007744){kind=small}
How to mix it
In 10B at 132 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 85/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More progressive trance
More from Maor Levi
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![The Lost Oracle (Transmission 2016 Theme) [Extended Mix] by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02371fc77cbd4815cfb4f088da){kind=small}
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