Not One Goodbye
- Key
- 4A · F minor
- BPM
- 132
- Open Key
- 9m
- Energy
- 86/100
- Pop
- 12/100
- Length
- 3:59
- Released
- 2020
- Genre
- Trance
- Loudness
- -9.0 dB
- ISRC
- NLE712000519
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Not One Goodbye - Extended Mixversion3B · 132
At 132 BPM in F minor (4A), Not One Goodbye is a peak-time tempo trance production. It reads as dark and driving. It is vocal-led. Darker than 82% of Giuseppe Ottaviani's catalogue. For programming, treat it as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Not One Goodbye in?
Not One Goodbye by Giuseppe Ottaviani is in F minor, or 4A on the Camelot wheel.
What BPM is Not One Goodbye?
Not One Goodbye runs at 132 BPM, a peak-time tempo track.
What mixes well with Not One Goodbye?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Not One Goodbye good for peak time?
With energy 86 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 132 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 86/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More trance
More from Giuseppe Ottaviani
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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